sábado, 25 de fevereiro de 2012

DAY 73: Engineering or Art?!



Escultor e artista, Theo Jansen constrói 'strandbeests' de tubo de plástico.As criaturas graciosas evoluem ao longo do tempo, Theo adapta os seus projetos para aproveitar o vento de forma mais eficiente. Estas criações são alimentadas apenas pelo vento e armazenam parte da energia do vento em garrafas de plástico para ser usada quando não há vento.

Kinetic sculptor and artist Theo Jansen builds 'strandbeests' from yellow plastic tubing that is readily available in his native Holland.
The graceful creatures evolve over time as Theo adapts their designs to harness the wind more efficiently. They are powered only by the wind and even store some of the wind's energy in plastic bottle 'stomachs' to be used when there is no wind.

quarta-feira, 22 de fevereiro de 2012

DAY 70: Peter Zumthor's Bruder Klaus Building Process





Peter Zumthor dá grande importância à experimentação dos materiais, onde alia processos de construção arcaicos. Para esta capela ele usou uma estrutura de 112 troncos de árvore, fazendo uma “tenda” coberta por um corpo de betão. Depois manteve-se uma fogueira a arder durante três semanas no seu interior, o que permitiu soltar os troncos do betão deixando o seu odor e memória gravados na parede.



Peter Zumthor gives great importance to the testing of materials, which combines archaic construction processes. To this chapel he used a structure of 112 tree trunks, making a "tent" covered by a concrete body. Then maintained a fire burning on the inside for three weeks, allowing to release the logs from the concrete leaving their odor and memory stored in the wall.

terça-feira, 21 de fevereiro de 2012

DAY 69: How much does your building weigh, Mr.Foster?



The film traces the rise of one of the world's premier architects, Lord Norman Foster and his unending quest to improve the quality of life through design. Portrayed are Foster's origins and how his dreams and influences inspired the design of emblematic projects such as the largest building in the world Beijing Airport, the Reichstag, the Hearst Building in New York and works such as the tallest bridge ever in Millau France. In the very near future, the majority of mankind will abandon the countryside and live entirely in cities. Foster offers some striking solutions to the problems that this historic event will create.

"Our buildings have always been driven by a belief that the quality of our surroundings directly influences the quality of our lives, whether in the workplace, at home or in the public spaces that make up our cities. 

This emphasis on the social dimension is an acknowledgement that architecture is generated by people’s needs, both spiritual and material. Allied to this is a willingness to challenge accepted responses or solutions.
 
Looking back I can see that our practice has been inspired by the polarities of analysis and action. This means trying to ask the right questions, allied with an insatiable curiosity about how things work – whether they are organisations or mechanical systems. And it means never taking anything for granted, always trying to probe deeper. 

This is due in part to a fascination with inquiry, with going back to first principles to identify whether there is an opportunity to invent, or re-invent, a solution. "

Lord Norman Foster 2003 in Architecture and Sustainability

quinta-feira, 16 de fevereiro de 2012

DAY 64: AI WEIWEI + HERZOG & DE MEURON



The Chinese artist Ai Weiwwi and the swiss duo Herzog & de Meuron will team up again for the next Serpentine Pavilion, in the summer of the current year.

Architects from around the world presented us some of the most outstanding pavilions in London's Hyde Park. But for the first time ever, the gallery will allow the architects to take the pavilion underground.

Visitors will be invited to go beneath the Serpentines´s to explore the hidden history of its previous Pavilions. Eleven columns characterising each past Pavilion and a twelfth column will support the platform roof 1.5 meters above ground.

terça-feira, 14 de fevereiro de 2012

DAY SIXTY-TWO: BJARKE INGELS - National Library in Astana, Kazakhstan



Bjarke Ingels Group foi premiado com o primeiro prémio no concurso público internacional que contou com 19 participantes, entre eles, Lord Norman Foster e Zaha Hadid.

Bjarke Ingels Group was awarded first prize in an open international design competition which included 19 entrants among others Lord Norman Foster and Zaha Hadid.

terça-feira, 7 de fevereiro de 2012

DAY FIFTY FIVE: ARQT. BARRY BERKUS




Arquiteto Barry Berkus mostra como uma forma orgânica pode servir de inspiração para a concepção e desenho de um edifício. Demonstra seu processo de pensamento preliminar, produzindo os desenhos conceptuais do projecto.


Architect Barry Berkus shows us how an organic form can provide inspiration for designing and drawing a building. Berkus demonstrates his preliminary thought process, producing the raw and unrefined drawings that become the conceptual stages of design.

sexta-feira, 3 de fevereiro de 2012

DAY FIFTY ONE: BIG KHALIFA PARK



Bjarke Ingels Group foi questionado por TDIC em Abu Dhabi para projectar uma sala de exposições de 15 000 m2 dentro de um parque de 375 000m2. O projecto do salão de exposição transformou-se na reconfiguração de todo o parque.

Bjarke Ingels Group was asked by TDIC in Abu Dhabi to design a 15 000 m2 exhibition hall within a 375 000m2 park. The design of the exhibition hall turned into reconfiguring the entire park.

quinta-feira, 2 de fevereiro de 2012

DAY FIFTY: FOSTER + PARTNERS



Projeto por Foster + Partners em Riyadh, Arábia Saudita. (Filme por Methanoia Studio)

Project by Foster + Partners in Riyadh, Saudi Arabia. (Movie by Methanoia Studio)

quarta-feira, 1 de fevereiro de 2012